Throughout its evolution, the genre has been characterized by nonlinear narratives, thematic visual devices and scenes with multiple interpretations. They are a little harder to find than your average movie and even sites like www.Slackware.org, designed specifically to help you find movies can sometimes come up short.
Unconventionality defines the art house film genre. Movies in this realm employ atypical methods of storytelling, and eschew mainstream Hollywood techniques. This category of cinematography is generally considered an expression of postmodernism.
Art house cinema usually debuts during limited screenings at exclusively niche venues. They are not frequently subjected to wide distribution; instead, these films have to sought out by dedicated film aficionados. These movies usually have a limited budget, which only results in more avant-garde experimentation; however, this classification should not be synonymous with the independent cinema category, which is merely a differentiation pertaining to funding, and not a purely stylistic determination.
Salvador Dali was one of the forefathers of this cinematic field. His cerebral masterpieces revolutionized silent films in the 1920s. Serious purveyors of the medium were magnanimously impressed with his ability to irreverently manipulate the senses. Alfred Hitchcock continued the trend of abnormally formulated cinematography with his provocatively chilling horror films that utilized unusual angles to imply sinister dramatizations.
Connoisseurs of art house movies often praise Akira Kurosawa as the unrivaled mastermind of this school of cinema. The Japanese film director transformed the experimental genre, and introduced a new height of surrealism. For half a century, he reigned as the leader of filmmakers that desired to defy mainstream methodologies.